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Shirin Art Gallery Group Scuplture And Video Art Vahid Arian Without Quiescence 01

 

نمایشگاه گروهی مجسمه و ویدیو آرت با عنوان "بی سکون" به کوشش "وحید آرین"  آبان 1403 گالری شیرین

 

بی سکون متحرک و بی قرار، جنبان و بازیگوش شاد و سرخوش یا محزون و مبهوت حاصل بازی ذهن و دستان هنرمند است برای خلق فضایی که از سکون مرسوم نمایشگاهی به سمت حرکت و پویایی و بازی با مخاطب پیش می رود.. با توجه به استیتمنت این نمایشگاه: منگر جامه ی ساکن شده ام، من چرخ زنان، رقص به ذاتم بنده. از تسمه و بند و استخوان می جنبم، گر در نظرت جان من همچون سنگه. در »بی سکون« ما شاهد همبازی شدن ذهن بازیگوش هنرمند با دنیایی از رنگ و بازی و حرکت هستیم.. گاه این بازی از دنیایی کودکانه و شوخ و شاد برگرفته شده و گاه وارد اتاقکی دیگر از خانه ذهن او شده و با دغدغه های جدی تر و انکار ناپذیر جهان امروز درآمیخته و آثاری را به وجود آورده که نه تنها شاید در آن اثری از دنیای شاد کودکانگی نیست بلکه نشان از واقعیت، جدیت و نابسامانی زندگی امروزی دارد. ما با مشاعره و یا حتی معاشقه اثر و مخاطب روبه رو می شویم: ِ خشک و بی جان من نگاه نکن به ظاهِر من می توانم حرکت کنم، من می توانم بخوانم، برقصم و من حتی می توانم با تو همراه شوم.. نه تنها با آنچه که چشم هایم می بینند.. بلکه می توانم همراه ذهن و فکر و احساساتت باشم و همسفر دغدغه ها و تنهایی ها و ترس هایت.. من بی جان و ساکن نیستم.. من بی سکونم

. وحید آرین - آبان 1403

 

 

Without Quiescence Dynamic and unsettled, shaking and playful. Joyful and cheerful, or sorrowful and bewildered. The result of the interplay between the mind and the hands of the artist is aimed at: Creating a space that moves away from the conventional stillness of exhibitions towards movement, dynamism, and interaction with the audience. In Without Quiescence, We witness the playful mind of the artist becoming a playmate in a world of color, play, and movement. Sometimes, this play is drawn from a childlike, humorous, and joyful realm, and at other times, it enters another room in the artist’s mental house, mingling with the more serious and undeniable concerns of today’s world. This creates works that may not only lack traces of childhood joy, but also reflect the reality, gravity, and chaos of modern life. Considering the statement of this exhibition: Do not look at the garment I have become. I whirl and dance, bound to my essence. I move with strap, bond, and bone. If in your view, my soul is like stone. We encounter a dialogue—or even a flirtation—between the artwork and the audience. Do not look at my seemingly dry and lifeless form. I can move, I can sing, I can dance, and I can even accompany you. Not only with what my eyes see, but also I can be with your mind, thoughts, and feelings, traveling alongside your concerns, loneliness, and fears. I am not lifeless or still. I am Without Quiescence.

 Vahid Aryan November 1403

لینک وبسایت مجید پناهی جو#mce_temp_url#

Copyright: Majid Panahi Joo
Type: Spherical
Resolution: 12800x6400
Taken: 09/11/2024
Uploaded: 09/11/2024
Published: 09/11/2024
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Tags: group scuplture; vahid arian; without quiescence; shirin art gallery; shirin partovi; iranian professional photographer; industrial photography; architectural photographer; commercial photography; vr photography iran; 360 degree photography iran
More About Tehran

Overview and HistoryTehran is the capital of Iran and the largest city in the Middle East, with a population of fifteen million people living under the peaks of the Alborz mountain range.Although archaeological evidence places human activity around Tehran back into the years 6000BC, the city was not mentioned in any writings until much later, in the thirteenth century. It's a relatively new city by Iranian standards.But Tehran was a well-known village in the ninth century. It grew rapidly when its neighboring city, Rhages, was destroyed by Mongolian raiders. Many people fled to Tehran.In the seventeenth century Tehran became home to the rulers of the Safavid Dynasty. This is the period when the wall around the city was first constructed. Tehran became the capital of Iran in 1795 and amazingly fast growth followed over the next two hundred years.The recent history of Tehran saw construction of apartment complexes and wide avenues in place of the old Persian gardens, to the detriment of the city's cultural history.The city at present is laid out in two general parts. Northern Tehran is more cosmopolitan and expensive, southern Tehran is cheaper and gets the name "downtown."Getting ThereMehrabad airport is the original one which is currently in the process of being replaced by Imam Khomeini International Airport. The new one is farther away from the city but it now receives all the international traffic, so allow an extra hour to get there or back.TransportationTehran driving can be a wild free-for-all like some South American cities, so get ready for shared taxis, confusing bus routes and a brand new shiny metro system to make it all better. To be fair, there is a great highway system here.The metro has four lines, tickets cost 2000IR, and they have segregated cars. The women-only carriages are the last two at the end, FYI.Taxis come in two flavors, shared and private. Private taxis are more expensive but easier to manage for the visiting traveler. Tehran has a mean rush hour starting at seven AM and lasting until 8PM in its evening version. Solution? Motorcycle taxis! They cut through the traffic and any spare nerves you might have left.People and CultureMore than sixty percent of Tehranis were born outside of the city, making it as ethnically and linguistically diverse as the country itself. Tehran is the most secular and liberal city in Iran and as such it attracts students from all over the country.Things to do, RecommendationsTake the metro to the Tehran Bazaar at the stop "Panzda Gordad". There you can find anything and everything -- shoes, clothes, food, gold, machines and more. Just for the sight of it alone you should take a trip there.If you like being outside, go to Darband and drink tea in a traditional setting. Tehranis love a good picnic and there are plenty of parks to enjoy. Try Mellat park on a friday (fridays are public holidays), or maybe Park Daneshjou, Saaii or Jamshidieh.Remember to go upstairs and have a look around, always always always! The Azadi Tower should fit the bill; it was constructed to commemorate the 2500th anniversary of the Persian Empire.Tehran is also full of museums such as:the Contemporary Art Museumthe Abghine Musuem (glass works)the 19th century Golestan Royal Palace museumthe museum of carpets (!!!)Reza Abbasi Museum of extraordinary miniaturesand most stunning of all,the Crown Jewels Museum which holds the largest pink diamond in the world and many other jaw-dropping jewels.Text by Steve Smith.


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